Since our weather is incredibly mild for February, I’ve gotten spring on the mind. I’m cleaning my studio today, thoroughly. Getting it ready for a fresh new body of work, starting tomorrow. I’m thinking it’s time to give the flowers and still life a rest. Time for something new:
Conceptual Art using Portraiture. A series potentially called Specimens of a Negro.
Will be back to share, as the process develops.
I enjoy the fertile area between abstraction and representation. These two clams, done in chalk pastel, nestle comfortably in that region. They both explore mark-making and through composition you can get lost in the drawing process.
These were done from life, using live clams. Working from life and living creatures is something I truly enjoy. I spent a lot of time exploring the subtle, sandy colors of the shells, at the same time, not letting them get mired in monotony. Touches of red and green helped give a subtle pop.
The client has indicated they like these images. Only time will tell, the final decision.
In this mini-series of work, I was fondly recalling my travels in Japan, being hit by a stunning visual array of communications I admired but couldn’t decipher. Further, I was recalling the ways my colleague at the Art Institute helped my students learn about using a brush and ink to create calligraphy.
These paintings were done with bamboo brush and sumi-ink on an absorbent mixed media paper. The work utilizes intuition, spontaneity and the Law of the Universe in its execution.
I am finally getting somewhere with my floral theme and orchids in particular. Here is the first full painting that came as a result of the series of small scale mixed media works on paper. I’m quite surprised by how sculptural it turned out because the mixed media works rely more on line quality, shape and color. This piece is oil on canvas, done with impasto technique, featuring an emphasis on negative and positive relationships and textural study.
This painting was done in multiple sittings, capturing a sun-drenched natural light. The flowers are directly rendered from life and show various stages of the life cycle of my daisies in the front garden.
This is a sketch of Moonlight Beach in Encinitas, CA in the Afternoon, done on location with birds flying overhead.